Monthly Archive: May 2014

8th June 2014 – Time For Big Brother to Retire

We are living in the dystopian world of ‘1984’ now. But we can change it.

Permanent link to this article: https://news.truthjuice.co.uk/index.php/8th-june-2014-time-for-big-brother-to-retire/

Florida Gov signs legislation to ban biometrics in schools & SIBA’s reaction

Florida Gov Rick Scott

Florida Governor Rick Scott signed SB188 on May 12th 2014 which banned biometrics in schools. Groundbreaking legislation, the first of its kind globally.

This now sets a precedent for other like minded states to follow in the same vein.  Governor Scott signed the legislation, as a part of a number of measures to “prevent unnecessary collection of data from our students“, to more free up Florida’s commitment to the controversial Common Core education initiative.

In the meantime the newly formed Security Identity and Biometrics Association (SIBA), born out of Washington DC in February 2014 (coincidentally in the month the Florida legislature voted overwhelmingly in support of the biometric ban), is very keen to see a halt to schools banning biometrics.

So much so, they have devoted a sizable proportion of their website detailing how SIBA plans to  produce four Fact Sheets, under a promotion named KickStartto be aimed presumably at schools to dispel myths; advance positive legislative solutions; report on school uses, successes and challenges; and support schools and their vendors seeking positive change for their communities costing $2,500 each.  These facts sheets will be advertising the companies that sponsor the sheets.

I could write some fact sheets about biometric technology used by children in schools, with their use both in the UK and US over the past decade for considerably less money, that would be carefully referenced with facts, via citations.   So I await with baited breath to see what ‘facts’ these four Fact Sheets costing $10,000 will contain.  Hopefully the sheets will have independent, credible evidence to back up any facts made and I look forward to reading them – that is if SIBA publishes them on their website.

SIBA’s drive to get schools on board is subtly said in a photograph on this page carrying the statement that “Schools need our help!“, when in reality the education system is working absolutely fine without children authenticating themselves via a measurement of their body to eat, register or take a book from a library.

Do adults use biometric technology in order to eat?  No.  In fact there is distrust about biometrics in adult society and is there any wonder with this recent headline from Biometric Update “Canadian academics, privacy groups issue statement against mass spying“.  When data protection and privacy laws are not enforceable and general unease lies with biometric technology, why is there a drive to encourage children in schools to use their biometrics?  

Some might say that it is not in the government’s interest to have schools ban biometrics when really their agenda is to soften the next generation to the technology, using a compliant environment to do so?

An upcoming event SIBA are having in June 2014 is “closed door” with two speakers, Alan Bersin, Acting Assistant Secretary for policy for the US Department of Homeland Security and Vice-president for the Americas Interpol and Bob Mocny, Director in the Office of Biometric Management, part of the  US Department of Homeland Security.  It is not boding well for transparency when one of SIBA’s first events is ‘closed door’ and the speakers are from a US government department which is widely perceived as having largely eroded the privacy of the people of the United States.

I feel, for me and others concerned about the use of biometric technology with children, SIBA looks like a US government led organisation bent on promoting biometrics in schools, worried by the recent legislation passed in Florida.  I have asked SIBA how they are funded, who their members are and where and when they were conceived as this information is not on their website.

Openness and clarity from SIBA is vitally important on this so that we, as parents, are aware of who is driving the agenda for our children to authenticate themselves with biometric identifiers for day to day services in education…  I await SIBA’s answer.

Permanent link to this article: https://news.truthjuice.co.uk/index.php/florida-gov-signs-legislation-to-ban-biometrics-in-schools-sibas-reaction/

Police Corruption & Child Abuse in Nottingham

Police Corruption & Child Abuse in Nottingham

The Facts by Michael Robert Summers.

 

140 ROSSITER RD ROCHESTER,
NEW YORK, 14620 USA
TEL +15853052408

FLAT 14 BROWSIDE COURT
FOXLEY LANE
PURLEY, CR8 3ED
TEL +447474037322

DURING MY TIME IN A DETOX CENTRE IN BECKENHAM KENT IN MARCH AND APRIL 2003 HAVING MADE A DECISION TO TURN MY LIFE AROUND, I CONTACTED NOTTINGHAMSHIRE POLICE TO REPORT WHAT THEY CLASSIFY AS A HISTORIC CHILDHOOD ABUSE CASE AGAINST A JOSEPH CROSBY, WHO HAD SEXUALLY ABUSED ME FROM AROUND THE AGE OF 9 OR 10, UNTIL AROUND THE AGE OF 17. HAVING RANG FROM THE DETOX, I GOT A CRIME REFERENCE NUMBER AND WAS INVITED BY OFFICER WASSIM CHOUDRAY OF NOTTS POLICE TO ATTEND CANNING CIRCUS POLICE STATION IN NOTTINGHAM.

I TRAVELLED TO NOTTINGHAM WITH A FRIEND SOME TIME AFTER LEAVING THE DETOX, WHO I RECENTLY RE-ESTABLISHED CONTACT WITH WHO WILL CONFIRM THE FACTS OF THE FIRST INTERVIEW. WE WERE MET AT NOTTINGHAM MIDLAND BY OFFICER CHOUDRAY AND ANOTHER OFFICER IN A GREY “Y” REG FORD MONDEO AND WENT TO CANNING CIRCUS POLICE STATION.

AN INITIAL STATEMENT WAS MADE OUTLINING THAT MY ALLEGATIONS WERE TWOFOLD IN THAT THERE WERE 2 INVESTIGATIONS NEEDED, BUT AS THEY WERE UNCONNECTED AT THAT TIME, AS STATED, ONE WAS ABOUT JOSEPH CROSBY AND THE OTHER ABOUT MY TIME IN THE CHILDREN’S HOME. THIS HAD BEEN SUGGESTED BY A THERAPIST TO GIVE CLARITY TO BOTH ACCOUNTS. WE WENT ON A TOUR OF MANY OF THE PLACES JOSEPH CROSBY HAD LIVED AND THE PLACES I KNEW HE HAD WORKED AT. I WAS ASKED IF I COULD IDENTIFY THOSE CHILDREN’S HOMES AND WE DID WHILST VISITING VARIOUS LOCATIONS. WE VISITED HAZELWOOD AND BEECHWOOD CHILDREN’S HOMES.

justice agaisnt notingham council

HAVING TOURED THE CITY WE WENT BACK TO CANNING CIRCUS POLICE STATION AND A 2ND STATEMENT WAS MADE IDENTIFYING FROM THE FIRST TIME I WAS GROOMED BY COSBY TO MY LAST CONTACT PRIOR TO JOINING THE ARMY IN NOV 1970.

mickey summers in the army 1971

AS A POST SCRIPT IN THAT STATEMENT I IDENTIFIED CROSBY’S SON ANTHONY BETTER KNOWN AS TONY AND SUGGESTED THEY COULD GET A LEAD ON THE SON VIA MUNDELLA GRAMMAR SCHOOL IN NOTTINGHAM ADDING THAT WHEN PEOPLE LEAVE SCHOOL THEY GET A NATIONAL INSURANCE/SOCIAL SECURITY NUMBER, THEREBY MAKING THE SON TRACEABLE TOO, A FEW MONTHS PASSED BY AND I WAS TOLD THAT ALL ATTEMPTS TO TRACE JOSEPH CROSBY VIA EMPLOYERS RECORDS, SOCIAL SECURITY RECORDS, POLICE PNC CHECKS AND A CHECK OF DEATHS IN THAT NAME HAD GOTTEN NO RESULTS AS SUCH AND THE CASE COLLAPSED. I DID MAKE A POLICE PROFESSIONAL STANDARDS COMPLAINT AT THAT TIME WHICH WAS NOT UPHELD.

Expat Fight on Against Corruption and Child Abuse

HAVING BEEN TRAUMATIZED BY THE POLICES FAILURES, I TRIED CONTACTING NOTTINGHAM CHILDCARE CITY SOCIAL SERVICES 2 OR 3 TIMES A WEEK AROUND SEPT/OCT 2003 FOR AROUND 5 OR 6 CONSECUTIVE WEEKS. NO ONE BELIEVED ME, AND FURTHER TO THAT NEITHER THE POLICE NOR NOTTINGHAM SOCIAL SERVICES EVER CONTACTED ME. AS A CONSEQUENCE I HAD A SHORT DRUGS RELAPSE ON THE 22ND DEC 2003, AND HAVE NOT USED DRUGS SINCE THEN.

IN THE TIME SINCE I HAVE WORKED A 12 STEP TREATMENT PROGRAMME AND DONE LOTS OF THERAPY MOSTLY AROUND MY CHILDHOOD. ALSO IN THAT TIME FRAME I ALSO PIECED TOGETHER THE JIGSAW OF MY CHILDHOOD. I PERSONALLY TRACED TONY CROSBY BY THE MEANS SUGGESTED TO THE POLICE IN 2003 AND AS SUCH PASSED THIS INFORMATION ONTO OPERATION DAYBREAK AS THERE WERE STATEMENTS FROM THAT CASE THAT I VIEW, OVERLAP THIS INQUIRY. A DAMNING INDICTMENT OF NOTTS POLICE IN NOT FULLY INVESTIGATING CROSBY EMERGED RECENTLY AFTER I GAVE OPERATION DAYBREAK THE MEANS TO CONTACT TONY CROSBY AFTER I HAD TRACED HIM RESULTED IN THEM TRACING JOSEPH CROSBY AS DECEASED IN 1993 GIVING ME CLOSURE AFTER TEN AND A HALF YEARS WHEN IT COULD HAVE BEEN FINISHED IN 2003.

IT ALSO EMERGED I FILED A COMPLAINT TO POLICE PROFESSIONAL STANDARDS OF A FAILURE TO FULLY INVESTIGATE IN 2003 THAT WAS NOT UPHELD, THAT HAS BEEN ADDED TO IN RECENT TIMES BY AN ACCUSATION OF CORRUPTION AND COVER UP IN THE LIGHT OF 2 STATEMENTS THAT REFERENCE BEECHWOOD IN 2003 WERE NEVER ACTED ON OR FOLLOWED UP, A SIMILAR INDICTMENT DAMNING NOTTINGHAM CITY SOCIAL SERVICES WHO RECEIVED NUMEROUS CALLS AFTER THE COLLAPSE OF THAT INVESTIGATION, WHERE I REPEATEDLY TOLD MY STORY TO THE SOCIAL WORKERS WHO TOOK MY 2003 CALLS. ACCORDING TO IAN CURRYER, THESE CALLS WOULD HAVE BEEN RECORDED AND LOGGED.

NO ONE EVER FOLLOWED THROUGH TO INVESTIGATE FURTHER SO IN LAYMEN’S TERMS BOTH THE POLICE AND NOTTINGHAM COUNCIL KNEW OF THE ALLEGATIONS OF OPERATION DAYBREAK IN 2003 AND BOTH FAILED ME WHICH COMES AS NO SURPRISE. TODAY I ACCUSE BOTH THE POLICE AND NOTTINGHAM COUNCIL OF A WIDE SCALE COVER UP, AS PART OF MY CURRENT DEALINGS WITH IAN CURRYER. I DEMANDED THE LOGS AND TAPES BUT JUST LIKE THE POLICE STATEMENTS THEY TO HAVE DISAPPEARED JUST LIKE MY CHILD CARE SOCIAL RECORDS I OPENLY ACCUSE NOTTINGHAM CITY COUNCIL OF HAVING A WIDE SCALE PAEDOPHILE RING AT THE CORE OF CHILDREN’S SERVICES FROM THE 60s NOT THE CLAIM OF THIS INQUIRY CENTRES AROUND A FEW PLACES AND A FEW INDIVIDUALS FROM 1973 TO 1989.

MY ACCOUNT IDENTIFIES BY NAME 6 INDIVIDUALS BY FULL NAME FROM VARIOUS DEPARTMENTS AND IS VIA LEGAL DEFINITION A PAEDOPHILE RING SOMETHING IAN CURRYER AND NOTTINGHAM COUNCIL REFUSE TO PUBLICLY ACKNOWLEDGE BASED ON A PACK OF LIES TOLD TO THE MEDIA THAT THE COUNCIL WERE ORDERED BY THE POLICE TO MAKE NO MEDIA COMMENTS AT THE DIRECTION OF OPERATION DAYBREAK AND OR THE HEAD OF NOTTINGHAM POLICE, HAVING GOTTEN TO A POINT OF DISTRUST I CONTACTED OPERATION DAYBREAK NOT ONLY LAST YEAR ON NO SUCH DIRECTIVE HAS EVER BEEN MADE BY OPERATION DAYBREAK I FURTHER CHECKED WITH THE P.A TO THE CHIEF CONSTABLES OFFICE ONCE AGAIN NO SUCH DIRECTIVE.

UNDETERRED I SPOKE WITH THE POLICE PRESS OFFICE WHO ALSO CONFIRMED NO DIRECTIVE FROM THEM, I ALSO IDENTIFIED A FURTHER CHILDREN’S HOME NAMELY HAZELWOOD AND A REMAND HOME ASHLEY HOUSE, INITIALLY THERE WAS DENIAL OF HAZELWOOD THIS CENTRED ON ALLEGEDLY NO KNOWLEDGE THIS PLACE EXISTED AND ACCORDING TO MEDIA REPORT A LEGAL CHALLENGE AS TO OWNERSHIP OF ASHLEY HOUSE REMAND HOME.

ALREADY EMERGING IS THAT MY INPUT DISCREDITS WHAT IS WANTED TO BE PUT OUT IN THE PUBLIC EYE BY NOTTINGHAM CITY COUNCIL. TO START, AS TO HOW I BECAME KNOWN TO THE FORMER CHILDREN’S DEPT OF NOTTINGHAM CORPORATION RENAMED NOTTINGHAM CITY COUNCIL.

HERE IS MY STORY WHILST A PUPIL AT WELBECK SCHOOL ON QUEENS DRIVE.

I WENT ON A SCHOOL TRIP TO LONDON ON THIS TRIP WAS SCHOOL HEADMASTER PETER HOWITT AND A TEACHER FROM ANOTHER SCHOOL NAMED MR BOWLEY WHO WAS BETWEEN THE KIDS ON THE COACH REFERRED TO AS BUMMER BOWLEY, ON THE RETURN TRIP FROM LONDON I HAD THE MISFORTUNE OF HAVING TO SIT NEXT TO BOWLEY AND AS A CONSEQUENCE WAS TEASED AS BOWLEYS MATE BUMMERS SUMMERS. I REACTED AGAINST THIS AND WAS PUNISHED BY HOWITT USING A LEATHER STRAP AND ON AT LEAST ONE OCCASION A CANE.

THINGS CHANGED, ON ONE DETENTION WHEN HOWITT HAD ME IN HIS OFFICE AND WHILST HAVING HIS PENIS OUT YANKED MY SHORT TROUSERS DOWN AND TRIED TO FONDLE ME. I RAN INTO THE PARK NEXT DOOR TO THE SCHOOL AND WAS A CONTINUAL TRUANT. THEREAFTER THIS CULMINATED IN ME AND MY MOTHER BEING SEEN BY THE TRUANCY OFFICER AND THEN THE CHILDREN’S DEPT.

I WAS PLACED IN BEECHWOOD IN AUG 1966 ACCORDING TO THE ADMISSIONS REGISTER/LOG BOOK HOWEVER I WAS THERE SEVERAL OTHER TIMES AND DURING THOSE TIMES WAS WARNED TO STAY OUT OF THE GARDENS ‘SHED’ AREA, THE RECREATION ROOMS AND TO AVOID ALBERT LOWNDES AN MARTIN O’REARDONAS THEY WERE PAEDOPHILE CHILD MOLESTERS. THE ATMOSPHERE BY STAFF WAS ONE OF INTIMIDATION MENTAL AND PHYSICAL ABUSES, I WAS AWARE OF THE GOINGS ON BUT WAS NOT SEXUALLY ABUSED THERE, BUT THE ABUSE WAS KNOWLEDGEABLE FROM THE DISTRAUGHT ACCOUNTS OF OTHERS. TO MY SHOCK AND HORROR, THERE WERE ALSO TEACHERS WHO CAME FOR ALLEGED SCHOOL LESSONS IN THE RECREATION ROOM. ONE OF THE VISITORS I SEEN WAS MY FORMER HEADMASTER PETER HOWITT AND ITS MY BELIEF HE RECOGNISED ME AND MAYBE WHY I WAS REMOVED AND SENT TO HAZELWOOD .

AT HAZELWOOD THINGS WERE NO DIFFERENT. LOWNDES AND O’REARDON WERE OFTEN THERE. I BELIEVE THEY MOSTLY DID MAINTENANCE BUT THEY ALSO DID OTHER JOBS. AT HAZELWOOD THERE’S AN ADDITION TO THE LIST OF PREDATORS IN ‘ARTHUR HUNT’, THE HUSBAND OF MARJORIE, WHO RAN HAZELWOOD TOGETHER.THE MAIN TARGET OF THIS TRIO WAS A YOUNG LAD AGED ABOUT 8 WHO WAS MENTALLY CHALLENGED HE WAS REGULARLY MOLESTED BY THIS TRIO AND I’M STILL HAUNTED BY THE DORMITORY SOBS OF THIS LAD RODERICK G.

MY FIRST TRAUMA THERE WAS ONE SATURDAY MORNING WHEN I ENTERED THE LIVING QUARTERS AND WITNESSED ARTHUR HUNT MOLESTING RODERICK. FROM THE COMPROMISING POSITION I WOULD STATE TODAY HE WAS PROBABLY RAPING HIM.

TRAUMATISED I RAN TO NEARBY FOREST FIELDS RETURNING LATE AFTERNOON. NOTHING WAS EVER SPOKEN. THERE WERE OTHER KIDS MOLESTED BY THIS TRIO BUT ITS ONLY RODERICK WHOSE NAME I’VE NEVER FORGOTTEN. RODERICK WAS ALSO A TARGET OF LOWNDES AND O’REARDON, ALTHOUGH I NEVER WITNESSED THEM. WITH HIS LIMITED VOCABULARY, RODERICK WOULD CRY HIMSELF TO SLEEP TELLING US “MY NAMES RODERICK G THEY HURT ME”.

47 YEARS ON THIS STILL HAUNTS ME AS NIGHTMARES AND FLASHBACKS ARE PART OF MY PTSD. AFTER THE EVENT I WITNESSED WITH HUNT, THERE WAS ANOTHER SATURDAY MORNING INCIDENT THIS TIME I WAS THE VICTIM WHERE I WAS SUMMONED TO HUNTS QUARTERS AND THEY PULLED MY TROUSERS DOWN AND TRIED GRABBING AT MY GENITALS. I ESCAPED AND RAN OUT AND HID IN A WEEPING WILLOW TREE IN THE COURTYARD.

I WOULD SAY THAT THE MAIN PLACE FOR MOLESTING KIDS WAS AN OUTBUILDING USED AS A SHOES AN CLOAKROOM, USED BY LOWNDES AND O’REARDON AND THE LIVING QUARTERS FOR HUNT. ON THE MONDAY I WAS TOLD BY HUNT HE WANTED ME IN HIS QUARTERS AT 6PM. THIS WOULD BE A TIME WHEN MARJORIE WOULD HAVE BEEN AT ONE OF HER CHURCH FUNCTIONS. ON THAT MONDAY I WENT TO CLAREMONT SCHOOL, LEAVING AT THE AFTERNOON BREAK INTENT ON RUNNING AWAY MORTIFIED AS TO WHAT MIGHT HAPPEN. I WOULD HAVE RAN TO MY MOTHERS BUT SHE WAS IN WAKEFIELD AT MY GRANDPARENTS.

I GOT A BUS TO VICTORIA STATION AND WALKED TO HUNTINGDON ST BUS STATION WHERE I CAUGHT EITHER A TRENT 64 OR EAST MIDLANDS 36 BUS, DESTINATION DONCASTER, AND GOT OFF AT THE REDHILL ROUNDABOUT NEXT TO A JET PETROL STATION AND FROM THERE HITCH-HIKED TO WAKEFIELD AS A DESPERATE 13 YEAR OLD.

MY FIRST RIDE WAS IN A LORRY TO THE WHITE POST TRANSPORT CAFE. FROM THERE A CAR TO OLLERTON ALONG THE A614 FROM THERE TO THE A1 DONCASTER BYPASS. FROM THERE TO THE END OF THE BYPASS TO THE A638 WAKEFIELD TURN OFF, FROM THERE TO THE BEVERLEY ARMS ACKWORTH ROUNDABOUT AND FINALLY A LIFT TO THE BULL RING IN WAKEFIELD. AFTER THAT I GOT THE 111 BUS TO EASTMOOR GETTING OFF BY THE TOP OF LINTON RD. I WALKED FROM THERE TO BARDEN RD AIMING FOR MY GRANDPARENTS PREFAB NUMBER 34. I GOT THERE AND THINGS TOOK A TURN FOR THE WORSE.

I FOUND THERE HOME HAD BEEN DEMOLISHED AND UNBEKNOWN TO ME THEY’D MOVED WEEKS BEFORE. PANIC SET IN AND I THEN WALKED TO WHERE A NEARBY AUNT LIVED AND TOLD HER I HAD RAN AWAY FROM A CHILDREN’S HOME AND WAS LOOKING FOR MY MOTHER. AFTER GIVING ME SOMETHING TO EAT MY AUNT AND UNCLE TOOK ME TO WOOD ST POLICE STATION IN WAKEFIELD WHERE THEY WERE INFORMED I HAD BEEN REPORTED AS A MISSING CHILD TO NOTTINGHAM POLICE.

IT WAS SUGGESTED THAT MY AUNT AND UNCLE DAPHNE PESTELL AND GEOFF PESTELL TAKE ME HOME AND RETURN AT LUNCH TIME THE FOLLOWING DAY WHICH WE DID. ALONG WITH A POLICE OFFICER WE WALKED ACROSS TO THE CHILDREN’S DEPT WHERE IT WAS ALL EXPLAINED TO A CHILD CARE OFFICER BY THE POLICE, DAPHNE AND GEOFF, ARRANGEMENTS HAD BEEN MADE FOR ME TO GO BACK TO HAZELWOOD.

THE FOLLOWING DAY I WAS COLLECTED BY THE SOCIAL WORKER JOHN SMITH. AT NO TIME DID SMITH EVER ASK ME WHY I’D RAN AWAY. AT THIS MOMENT IN TIME, I’D SAY HE KNEW WITHOUT ME TELLING HIM. HAZELWOOD OVER THE FOLLOWING WEEKS BECAME A HOUSE OF HORRORS. THERE WAS NEVER A DAY WENT BY WHERE SOMEONE WAS NOT ABUSED.

MY MENTAL CAPACITY TO COPE WAS AT BREAKING POINT AND ONCE AGAIN I RAN AWAY WITH ANOTHER CHILD WHO CAME FROM BESTWOOD, NOTTINGHAM. ON DAY ONE WE WENT ON A TRAIN TO DERBY AND CHANGED FOR ONE TO MATLOCK BATH. WE SLEPT IN SOME CAVES AND EARLY IN THE MORNING HITCH-HIKED BACK TO NOTTINGHAM, HEADING FOR THIS KIDS MOTHERS HOUSE. WE WERE TOLD THAT THE POLICE WERE LOOKING FOR US AND WERE COMING BACK SO WE HUNG AROUND A FEW OF MY FRIENDS MATES HOUSES. WE COULD’NT STAY AT HIS MUMS AS WE KNEW THE POLICE WOULD BE BACK LOOKING FOR US SO WE SLEPT IN A PART DEMOLISHED ABANDONED PREFABRICATED BUILDING.

I HAD THE MISFORTUNE TO GASH MY ARM IN THERE BUT FORTUNATE TO FIND A FIRST AID BOX IN A BIN AND USED 2 BANDAGES FROM IT FOR MY INJURIES. THE FOLLOWING DAY WE WERE MOSTLY IN HYSON GREEN WHERE WE WERE PICKED UP BY THE POLICE BELIEVED TO BE THE 2 RUNAWAYS. WE WERE TAKEN TO CANNING CIRCUS POLICE STATION WHERE I WAS SEEN BY JOHN SMITH WHERE I BLURTED OUT THE CATALOGUE OF THINGS I HAD BEEN WITNESS TO AND HAD BEEN DONE TO ME.

HE DID ASK ABOUT THE INJURY TO MY ARM AND I EXPLAINED HOW IT HAD HAPPENED. SHORTLY THEREAFTER A POLICE OFFICER CAME IN TO THE ROOM, AND DURING THE DIALOGUE SMITH INSISTED THAT IN ORDER TO PLACE ME IN SOMEWHERE MORE SECURE HE WANTED THEM TO CHARGE ME WITH THEFT OF THE BANDAGES. THE POLICE OFFICER EXPLAINED THAT AS THEY WERE TAKEN FROM A BIN IT WAS CLASSED AS RUBBISH AND NO ONE KNEW WHO OWNED THE BUILDING.

SUCH WAS THE MANIPULATIVE PERSUASION OF SMITH I WAS CHARGED WITH THEFT OF 2 BANDAGES, PROPERTY OF PERSONS UNKNOWN. AND APPEARED IN COURT THE NEXT MORNING AND WAS REMANDED BACK TO LOCAL AUTHORITY CARE. I WAS TAKEN TO THE OFFICE ON MANSFIELD RD FROM THE COURT AND DESPITE THE FACT THERE WAS SEVERAL CHILDREN’S HOMES USED AS SECURE UNITS, I WAS PUT INTO SMITHS CAR, A VOLKSWAGEN BEETLE. I BELIEVED I WAS AT LAST GOING TO A PLACE OF SAFETY.

WE HEADED OUT OF NOTTINGHAM ON THE A453 AND NEAR TO WHERE YOU WOULD TURN OFF FOR THE MEASHAM CAR AUCTIONS. A ROUTE I WAS FAMILIAR WITH AS MY FATHER WAS A CAR TRADER. WE PULLED INTO A TRANSPORT AREA, WHERE IN THE FAR CORNER OF A BIG CAR PARK, SMITH FORCED ME INTO THE BACK OF THE CAR REMOVING MY TROUSERS AND FORCING ME TO PERFORM ORAL SEX ON HIM AND WAS THEN RAPED BY SMITH AND TOLD NO ONES EVER GONNA BELIEVE YOU SO YOU’D BEST SAY NOTHING OR YOUR NEXT STOPS AN APPROVED SCHOOL.

WE TRAVELLED ON TO LANGPORT IN SOMERSET TO BROOKLANDS REMAND HOME IN LANGPORT WHERE I WAS CONSTANTLY BULLIED AND INTIMIDATED BY STAFF MEMBERS AND OLDER KIDS REMANDED THERE. THE NEXT TIME I WAS TO APPEAR IN COURT I WAS COLLECTED BY A MR HENDERSON, LODGED OVERNIGHT AT BEECHWOOD AND APPEARED IN COURT THE NEXT DAY WHERE I WAS REMANDED BACK BY THE COURTS TO LOCAL AUTHORITY CARE.

SMITH CAME TO COLLECT ME FROM THE CELLS LAUGHING AND TELLING ME OF HIS INTENT ENROUTE BACK TO SOMERSET. I ATTACKED HIM AND WAS RANTING THAT IF I WAS MADE TO TRAVEL WITH HIM I WOULD MAKE HIM CRASH HIS CAR. I DON’T KNOW WHAT HAPPENED BUT FROM THEREAFTER I WAS TAKEN THERE AND BACK BY THE POLICE IN A WHITE TRIUMPH POLICE CAR WITH MOTORWAY PATROL OFFICERS, WHO HAD WHITE PLASTIC COVERS ON THEIR POLICE CAPS. I EVENTUALLY APPEARED IN COURT AND WAS SENTENCED TO 3 YEARS IN AN APPROVED SCHOOL.

MY FATHER VIA HIS SOLICITOR HARRY CLEGG, LAUNCHED AN IMMEDIATE APPEAL, NEVER-THE-LESS, I REMAINED IN CUSTODY AND WENT ON TO RISLEY HALL APPROVED SCHOOL VIA ASHLEY HOUSE AND AN ASSESSMENT CENTRE IN NEWTON AYCLIFFE. AT ALL OF THESE PLACES I WAS LIVING IN AN ATMOSPHERE BEYOND THE WORD TERROR. ALL OF MY ATTEMPTS AT WRITING TO MY PATERNAL GRANDMOTHER FLORENCE SUMMERS, TO TELL HER EVERYTHING, NOTHING EVER REACHED HER, AS I WAS TOLD I’M NOT ALLOWED TO WRITE A PACK OF LIES.

Information contained as Risley Hall

AT RISLEY HALL I WAS IN YELLOW HOUSE AND THE HOUSEMASTER HAD A GROUP OF BOYS WHO DID EVERYTHING THEY WERE TOLD BY HIM INCLUDING BULLYING AND SEXUAL ASSAULTS. ALTHOUGH HEARSAY THE HOUSE-MASTER WHO USED TO STAY OVERNIGHT IN A ROOM NEAR THE DORMITORY, OFTEN HAD THE YOUNGEST MOST VULNERABLE CHILDREN BROUGHT TO HIS ROOM, WHERE BASED ON DIALOGUE WITHIN THE DORMITORY THESE CHILDREN WERE SUBJECTED TO MOLESTATION AND RAPE.

UNDETERRED I CONTINUED TO TRY TO WRITE TO MY GRANDMOTHER AND IN THE SPACE OF A FEW DAYS WAS PUNISHED TO BREAKING POINT I WAS MADE TO SCRUB THE COURTYARD ON MY HANDS AN KNEES AT LEAST TWICE, BUT THE FINAL THING WAS AFTER MY LAST LETTER WRITING ATTEMPT I WAS IN THE PRESENCE OF THE HOUSE-MASTER AND SERIOUSLY BEATEN AROUND THE BODY BY THE HOUSE-MASTERS BULLY BOYS. THIS RESULTED IN ME BEING TAKEN TO NOTTINGHAM GENERAL HOSPITAL WHERE THE HOUSE-MASTER TOLD THEM THEY BELIEVED I MIGHT HAVE APPENDICITIS. I WAS WARNED OF CONSEQUENCES SHOULD I SAY ANYTHING TO THE DOCTORS.

IT WAS SUGGESTED TO ME MY INJURIES WERE NOT AS A RESULT OF APPENDICITIS, HOWEVER I WAS ADMITTED FOR 4 OR 5 DAYS AT NOTTINGHAM GENERAL HOSPITAL. IN SEPT 1967 A FEW WEEKS LATER MY APPEAL WAS HEARD AT THE NOTTINGHAM CITY QUARTER SESSIONS APPEALS COURT AND THE CASE WAS DISMISSED ABSOLUTE DISCHARGE.

I THEN WENT TO STAY WITH MY MATERNAL GRAND PARENTS IN WAKEFIELD AS A WARD OF COURT. AFTER LEAVING SCHOOL IN 1969 I WANTED TO RETURN TO NOTTINGHAM BUT THE SOCIAL WORKER SMITH, OBJECTED AND HAD ME PLACED IN A HOSTEL IN BRACEBRIDGE LINCOLN. I LEFT THERE RETURNING TO MY MOTHERS IN NOTTINGHAM AND WAS PLACED WITH VARIOUS FOSTER CARERS UNTIL NOV 1970 WHEN I JOINED THE ARMY

TO BE CONTINUED WITH MY ALLEGATIONS AGAINST NOTTINGHAM COUNCIL’S AND THE POLICE ON A SEPARATE DOCUMENT

signed

Michael Robert Summers

Justice against Nottingham Police

Permanent link to this article: https://news.truthjuice.co.uk/index.php/police-corruption-child-abuse-in-nottingham/

Energy Times Newsletter May 2014

Freesolarsecrets.com

DOWNLOAD THE FREE SOLAR SECRETS EBOOK BY PETER LINDEMANN

We’re excited to be able to give you the Free Solar Secrets eBook by Peter Lindemann!

Just visit http://freesolarsecrets.com to get the free download!

We hope you enjoy this book because it will empower you with knowledge about solar energy systems that is mostly unknown. This book is priceless and if the recommendations are followed, it will save you thousands of dollars over the years should you decide to invest in a solar power system of your own. It debunks a lot of myths perpetuated by the solar industry.

SUPPORT JOHN POLAKOWSKI’S COSMIC INDUCTION GENERATOR PROJECT

The Cosmic Induction Generator project is moving along rapidly and John is working on upgrading the power for even more dramatic effects. If you haven’t seen the video, make sure to watch this: http://emediapress.com/2014/05/05/cosmic-induction-generator-interview-with-eric-dollard/

That is a good introduction to the Cosmic Induction Generator explained by Eric Dollard. Even if you can only contribute a few dollars to help John out, it would be greatly appreciated – here is the Indiegogo link: http://igg.me/at/cosmicinductiongenerator/x/2343214

Even if you are unable to donate any funds to John’s campaign, please at least forward this to others who might be able to help out!

100 WATTS OF HEAT PRODUCED FOR 5 WATTS INPUT

In case you haven’t seen it, look at this demo by Jim Murray from years ago – http://energyscienceconference.com/2014/05/05/2000-cop-20-0-reactive-power-as-energy-demonstration/ Jim and Paul Babcock will be discussing this kind of circuit concept about how to turn “reactive power” into actual work at the 2014 Energy Science & Technology Conference. There are only 62 seats left and they’re going fast! You can register on the website listed above.

Energy Times
White Dragon Press
Energy Science Forum

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Permanent link to this article: https://news.truthjuice.co.uk/index.php/energy-times-newsletter-may-2014/

Voyage of the Unicorn

I first saw Voyage of the Unicorn in about 2010. I came home from work and my daughter, aged fifteen at the time, rushed up to me and yelled: “Dad, you’ve got to watch this!” She presented me with a DVD in a plain cardboard sleeve; it was a free gift that had been enclosed in a newspaper, the kind of thing the papers did a lot in those days. The cover was of a stout looking man holding a cutlass and surrounding him were a circuit of strange beings. “Let’s watch it, Dad!” enthused my daughter. “Please?” I settled down in front of the TV and prepared myself to be bored for a couple of hours in the course of my paternal duty in keeping her company. About three quarters of the way through the film she told me she’d had enough of it and wanted to turn it off. “No!” I retorted “I want to see all of it!”
Voyage of the Unicorn can be purchased on Amazon, see: http://www.amazon.com/Voyage-Unicorn-Beau-Bridges/dp/B0009ETCXS/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1399149334&sr=1-1&keywords=voyage+of+the+unicorn. (Beware, because there is a 132 minute feature cut of this floating about; I advise buying only the full three-hour miniseries.)
However, at the time of writing the series is currently a freebie on YouTube, but please support the film makers and buy the DVD if you can:
Highlight- Miranda’s dance: https://www.youtube.com/watch?v=7DXJcB0Y4L4.
People often ask me why I ever watch television, seeing as I criticize it so much. This is true and there have been some TV programmes recently that have been utter pieces of turdcraft which I have given a well-deserved and merciless pasting, for example see: http://hpanwo-voice.blogspot.co.uk/2014/04/gypsies-on-benefits-and-proud.htmland: http://hpanwo-tv.blogspot.co.uk/2013/06/confessions-of-alien-abductee-aftermath.html. However when it comes to my studies of the media, I cannot agree with those who say it’s completely controlled by a monolithic power-structure which dictates every single thing that comes out of it. This can’t be the case otherwise the media would in fact be a very different entity to what we have. A completely controlled media would have a counter-propositional side to it in order not to make the manipulation too obvious, but it would be very attenuated and insipid; for any seasoned eye this duplicity would be very transparent. The kinds of productions I talk about in this article, see: http://hpanwo.blogspot.co.uk/2012/03/some-of-them-are-on-our-side.html, would never appear. I know people who tell me Avatar, Blakes 7 and V for Vendetta are pure psy-ops; in that case I’d like to ask them by what criteria could anything ever be considered genuine by them?
Some programmes in the mainstream media are in fact good, and some a truly magnificent. A few months ago I did a review of my favourite, Gone to Seed, see: http://hpanwo.blogspot.co.uk/2014/01/gone-to-seed.html, and the one now under discussion is without a doubt a close runner up. Voyage of the Unicorn is a “TV movie”. This, as its name suggests, is a film produced specifically to be broadcast on television and is not intended to be released in cinemas. This inevitably makes TV movies stylistically distinct from films targeted at the big screen; they tend to have smaller casts, a less ambitious scope and less sophisticated plots. They very often have lower budgets and even if they sign up a star to play the lead role, the supporting acts tend to be from the B-movie pool. They’re often formatted like the episodes of a TV drama series and have minor suspense scenes added periodically, together with pauses worked into the score, for the inevitable commercial breaks. They’re sometimes regarded with snobbish condescension by movie connoisseurs; there is even a film called Based on an Untrue Story which is a parody of TV movies, see: http://www.imdb.com/title/tt0106362/?ref_=ttpl_pl_tt. If there is any point I could ever agree with less, when I watch Voyage of the Unicorn I truly doubt it. This particular “TV movie” comes from Canadaand was broadcast on the TV1000 channel in 2001. It was directed by Philip Spink and written by Dan Levine.
Credendo Vides
Synopsis
The film is centred on a man called Prof. Alan Aisling, played by Beau Bridges, the best known actor in the film. He’s a university lecturer who has two daughters, Miranda, who is aged about sixteen and Cassandra, who is three or four years younger. Aisling leads quite a lonely life since his wife died some months before the start of the story. His life consists mostly of looking after his daughters, who are taking their mother’s death very badly. When he is at work he teaches a course in comparative mythology, only he does it in a very unorthodox way. He writes on the classroom blackboard the words credendo vides, this is Latin for “by believing one sees”; this becomes the motto for the entire film. One student shows him a brass doorknob and says it reminds her of the sun; and Prof. Aisling, instead of telling her not to be silly and to put it away, congratulates her on her imaginative and creative thoughts. He’s a very non-conformist teacher, the kind I wish I’d had when I was at school. Unfortunately Aisling’s maverick teaching methods result in him falling out of favour with the university authorities, in a storyline similar to the wonderful film Dead Poets Society. The officious and highly conventional dean of the college reprimands him for leading his students astray from “what they really need” which is practical and scientific matters alone and not “airy fairly” nonsense. Aisling retorts emphatically: “Science begins with imagination!” Voyage of the Unicorn is based on Voyage of the Basset, an illustrated book by James C Christiansen, in which we see a picture of the dean trying to measure his own imagination with a scale! However, from the very start of the film the viewer is told that something odd is afoot. Gusts of wind keep blowing across the scenes filled with a sparkle that hints of magic. But at the same time dark and sinister shadows lurk in corners and perch on rooftops. Miranda and Cassandra are two very different girls who express their grief in different ways. Miranda is pessimistic and cynical, battening down her feelings with a facade of resilience and pragmatism. Cassandra has gone the opposite way. Their mother used to illustrate fantasy books and Cassie has become obsessed with her late mother’s artwork. She has begun to have visualizations about the scenes in her mum’s portfolio, seeing them as real. Sometimes in her dreams, her mother appears to her in the photo she has on her bedside table. The viewer is never told for certain whether these apparitions are just Cassie’s imagination, or whether the spirit of their mother really is still watching over them. At first, like her mythological namesake, nobody listens to Cassandra. But then something happens.
Beau Bridges as Aisling, with Miranda and Cassie
For a hitherto unexplored reason, our world comes into contact with another. The dark shapes that have been haunting the characters are actually ghastly monsters from another world; they’re called “trolls”, but they are very similar to Tolkienian Orcs. Their leader is called Skotos, brilliantly played by MacKenzie Grey and he has come into our world to hunt down Prof. Aisling. Fortunately the same merging of dimensions has also permitted a pair of friendly helpers from that same otherworld. They are Malachi and Sebastian, captain and first mate of a ship called the Unicorn and together they and the family escape through into the Faerie Kingdom. The ship is beautiful; it has a pure white sail with the words credendo vides embossed on its sail. Below decks the magic of the world really takes hold because, like Doctor Who‘s TARDIS, the ship is bigger on the inside; it contains a huge library and luxury quarters. Interestingly in Cassie’s cabin there is a wardrobe full of the most magnificent dresses, yet in Miranda’s there’s just a drab homespun gown. Yet when she puts it on it transforms Cinderella-style into multiple divine fashions. This is quite revealing about Miranda’s nature and it hints at what is to come later in the story.
The good ship Unicorn
 Sebastian, who is an elf, is the only member of the ship’s company apart from his captain Malachi. His parents were killed by the trolls when he was a child. He is clearly quite smitten by Miranda. He is a sweet soul and his flirtations with her are extremely benign and appealing. This is very politically incorrect in today’s world dominated as it is by feminism; Voyage is at its basis a radically traditionalist tale. Captain Malachi is a dwarf who is good-natured and knowledgeable; he serves as the family’s guide in their new surroundings. Their first port of call is Faerie Isle, the centre of the Kingdom. This is a Rivendell-like Idyll of enchanted groves, dryads, butterflies, waterfalls and sacred springs, all benevolently ruled over by King Oberon and Queen Titania; of course these are characters from William Shakespeare’s A Midsummer Night’s Dream. One of the most recognizable features of Voyage is the way its plot blends several different existing mythologies and literary allusions together, and it does so very cleverly and stylishly. Oberon and Titania then reveal to the family how they came to be brought to the Faerie Kingdom; it turns out that their heavenly land is under threat from the trolls and that there is a prophesy that they will be saved. In a very dramatic and moving scene, an ancient turtle-like creature called “the Senechal”, who is a keeper of mystical knowledge, recites the prophesy: “There shall come unto us a man of wisdom and two maidens gentle of spirit. From beyond the seas, by there hand heroes enslaved be freed. Old wounds cleansed and the mightiest among us reborn. Know them by these signs, a ship, a sword and a banner thus; credendo vides– by believing one sees. Trust in their quest! Aid them, even to your peril. For they mark a new beginning and an end to darkness.” Titania gives them each a special gift and private counsel intended only for themselves. However King Oberon is far more sceptical. He says: “mortals don’t believe in magick.” And most interestingly: “We can see into your world, but apparently you have turned your back on ours.” That’s a fascinating theme which I will come back to later. The balance of power in the Faerie world is kept by a great dragon, but he has vanished. The family’s quest is to find the dragon and restore him… before the trolls do. The trolls are based on Troll Island, a place wreathed in darkness that resembles the land of Mordorin JRR Tolkien’s Lord of the Rings. It is barren and lifeless with volcanic cracks and streams all over it. Skotos returns to his fellow trolls announcing that the humans have succeeded into entering their world and they must now be hunted down and killed before the prophesy is fulfilled. The trolls’ ship is as characteristic as their homeland, dark, crude, ugly and dirty. They immediately set sail in pursuit of Aisling and the girls.
MacKenzie Grey as Skotos
 The first place the family look for the dragon is a ruined stone temple on a dry desert island. Cassie wanders into an underground chamber and gets lost in a maze of corridors. Here she encounters a huge being which is half man-half bull. This segment is explicitly drawn from the ancient Greek legend of Theseus, the labyrinth and the Minotaur. Unlike the original story, in Voyage the Minotaur is good; in fact he’s a very strong, brave and loyal companion who joins the family on their quest. While on the island they also encounter a huge reptilian skeleton. Could this be the remains of the dragon? They take the skull back to the ship. The next island they explore has a huge temple on it too, and one far better preserved. The family go inside and come across Medusa, a gorgon. Once again the film delves into the classical world for its storyline. The gorgons are creatures that resemble a human female except they have snakes on their heads instead of hair. Their magic power means that anybody who looks into their face will be instantly turned to stone. In the Legend of Perseus, the hero beheads Medusa and then uses her head as a weapon to turn his enemies to stone. In Voyage, Aisling uses an eye-shield of amber, a gift given to him by Titania, to protect himself from Medusa’s gaze. In doing so he sees that she is not really a gorgon, but a lovely woman who has been cursed. She is lonely and lost living in the temple, but dares not go outside because she keeps turning everybody she meets into stone. Aisling takes her back to the ship and turns the amber plate into a pair of goggles for her to wear so she can interact with other people in mutual safety. But first the family can’t leave the temple until they’ve solved the Riddle of the Sphinx: “What is it that walks on four legs in the morning, on two at noon and on three in the evening?” The answer is: a man. As a baby, in the morning of life, he crawls on all fours; in the middle of life he walks normally on two; and in the evening of life he needs a walking stick, three legs. The Sphinx then lets them go free. In Greek mythology the Sphinx is not connected to the story of Medusa and instead guards the entrance to the city of Thebes. Also in Voyage, and I find this enormously interesting, the Sphinx is not an animal, but a winged humanoid. These kinds of creatures turn up all the time in myths and legends; angels and demons are usually both depicted as winged humanoids. What is less well-known is that the archetype also appears in paranormal reports, like the entity in The Mothman Prophesies and the Cornish Owlman. Why is that? Do the film makers know something they’re not letting on? The family invite the Sphinx to join them on their journey, but she declines and flies off; although she returns to the story later.
The Sphinx- played by Kim Hawthorne, portrayed as a typical winged humanoid
 Once out at sea again the trolls’ ship catches up with the Unicorn and they attack, boarding the ship. A swordfight ensues between the heroes and the trolls. It ends in disaster when Skotos captures the dragon skull; with the power of the skull he now has the authority to unify the troll clans and conquer the entire world… and even beyond. When Medusa tries to help by removing her goggles to petrify the trolls, she accidentally petrifies Malachi instead. Also the device by which the ship travels between dimensions, called the “Wunterlab”, is damaged beyond immediate repair leaving Aisling, Miranda and Cassie trapped in the Faerie Kingdom. When Oberon and Titania hear of this news Oberon is devastated. He was sceptical of the prophesy from the start, but the news of the trolls’ victory strips him of all hope. In an act of desperation, he defects to the trolls and offers them a deal; he’ll help Skotos hunt down the humans in return for his homeland being left alone by the trolls. Everything looks hopeless, but they refuse to give up. Cassie maintains her faith through thoughts of her mother and Miranda plays the piano. Medusa is mortified by what she unintentionally did to Malachi and keeps to herself, although the others bear her no resentment for it. Aisling searches the Unicorn‘s dimensionally transcendental library for a solution and comes up with an amazing book of ancient magickal wisdom. In one of the best comic relief elements to the film, we see that it is a pop-up book in which the characters are all animated and intelligent. They explain that the only way to change Malachi back is with a silver apple and unicorn’s tears. Fortunately these can both be found on a nearby island. When they arrive they find the unicorn galloping around an enchanted forest which is very similar to Faerie Isle. Oddly enough it has an image of the famous 1991 Barbary Castle crop circle printed on its hindquarters. In the sequence which follows, Miranda hands the silver apple to the unicorn, a picture that was captured in her mother’s illustrations; here the viewer understands that Miranda is really very deeply magickal herself, but she has kept it hidden beneath her pain. This scene is very powerful and is the spiritual denouement of the film. It’s prevented from becoming overwhelming by the antics of Olaf, the lovable ogre who owns the island. The unicorn sheds a tear at the sight of Malachi’s statue and the ship’s captain is joyously restored to life. They return to Faerie Isle with the unicorn on board to seek advice from Oberon and Titania to find that the trolls have sacked it. Titania is left alone, not knowing about Oberon’s treachery. The family beg for counsel and the Senechal simply repeats the words of the prophesy and then dies in front of them among the ruins of Faerie Isle. Oberon himself is taken prisoner by the trolls. He promised to deliver Aisling and his family to the trolls and Skotos promised he would not destroy his kingdom, and Oberon realizes that he was foolish to believ him. Using Oberon’s information the trolls cast a spell on the ocean so that a monstrous sea serpent attacks the Unicorn. Then, in one of the best known scenes from the film, Miranda saves them with her own supernatural abilities; see the highlights scene above, Miranda’s Dance. It’s extremely surreal with its animated sequences and seems incongruous within the movie, but I find it very effective. Aisling originally plans to sail the ship as far as he can from the trolls to keep his daughters safe, but the others persuade him that you can’t run from them, they’re everywhere. The only way to deal with a troll is to stand and fight. He tells Malachi to set a course for their headquarters on Troll Island.
Cassie, Miranda and Aisling with the Minotaur and Medusa
 The Minotaur, Medusa, Malachi, Sebastian and the unicorn all join the family as they sneak ashore on Troll Island at night. Here they find slaves from the occupied lands forging weapons for the trolls. They all steal some troll clothing as a disguise and infiltrate the trolls’ main settlement. Skotos is making a speech to his rabble, leaving the dragon skull unattended in his throne room. Cassie distracts the guards outside and the others rush in to redeem it. Cassie is captured. Aisling tells Miranda to take the skull to safety while he and the Minotaur attempt to rescue Cassie. Skotos is about to drop Cassie into a volcanic pit to cook her for dinner when Aisling and the Minotaur burst in to try and save her. They’re totally outnumbered by the trolls and it looks as if Cassie is doomed, but then out of the blue the Sphinx swoops down and snatches her away to safety. By now it is daylight and Miranda is running as fast as she can with the heavy skull, but the perusing trolls are catching her up. Eventually she rushes free of them and meets up with her father. Malachi, Sebastian, Medusa and the Minotaur have all been captured and Sebastian and Malachi are sent to the quarry to join the other slaves. Medusa is put to work as a servant in the trolls’ house where she meets a shamefaced Oberon who is doing the same. Skotos tortures the Minotaur to try and force him to reveal the location of the dragon skull. Skotos even cuts off one of his horns, but the Minotaur staunchly resists. Miranda is watching from a cliff top and can bear it no longer. She jumps up, brandishing the skull and yells to alert the trolls. Aisling and Miranda flee by climbing up a waterwheel but Miranda falls back down, dropping the skull. Cassie and the unicorn appear at the top of the cliff while the trolls shinny up in pursuit. Skotos and Aisling fight to reach the skull while Miranda has to fight her way out from the mob at the bottom of the waterwheel; she’s helped by the Minotaur who has now broken free. The skull falls into a log flume and washes down it. Skotos seizes it, but Cassie gallops up on the unicorn and snatches it back. Skotos corners them all together and tells Cassie to give him the skull, promising to let them all live if she does. Meanwhile Medusa has found the keys to the slaves’ shackles and is releasing them. Skotos says to Cassie: “Do you really think that you, a mere human, have the power to unleash the dragon?” Aisling orders his daughter to hand Skotos the skull. But Cassie lifts the skull above her head and cries: “Credendo vides!” The skull levitates into the air, flesh and bone appear around it and an entire dragon materializes. The dragon dives down, breathing fire, burning up the trolls’ buildings, while the slaves all rush forward free of their chains. The trolls flee in panic. Miranda embraces Sebastian and gives him a passionate kiss. The smoke clears and all the free people head home to their own islands. In the next scene the family are back in our world, each one thinks they had a dream until they all realize their dreams were the same. They then check and see and it turns out that they still have all the presents Titania gave them. Their experience makes the family happier. Aisling goes back to work and finds out that the original dean has suddenly retired, and so Prof. Aisling becomes Dean Aisling in his place, and naturally makes sure that his mythology course is approved for future terms. He also meets a woman who looks very similar to Medusa, and is played by the same actress, Kira Clavell. Miranda becomes a top musician and performs her songs in front of live audiences. Cassie tries her own hand at illustration and continues to be a dedicated and unapologetic dreamer and seer of great visions. Sometimes she dreams she sees the ship the Unicorn, and also her mother standing on deck waving.
End of synopsis
After I’d watched it all the way through and realized that I was now a fan of Voyage of the UnicornI went online to see if there were any others I could compare notes with. There are but they’re almost all young girls! I was worried that their parents might think I was a paedophile for trying to communicate with them; would they really believe that I was doing so simply because I love the movie too? I actually surprise myself a bit, especially when I read through the synopsis I’ve just written. Voyage of the Unicorn is aimed at younger viewers, there’s no doubt. A lot of its plot is not terribly original for a fantasy story; its characters are what you find in existing fantasy literature, along with beings and settings from the classics; indeed it reminds me of Homer’s Odyssey in many ways along with all the other classical links I’ve identified. This is not uncommon. However there is a far deeper dimension to Voyage, one that other related stories might lack. This is the world of metaphor and symbolism of the human condition as it relates to the spiritual universe. There’s something about it that’s profoundly pagan and very pantheistic; perhaps William Blake would understand, and also the German composer Richard Wagner. I can also detect the inspiration from Tolkien. There’s a strong feeling that the world of Faerie Kingdom and our own world are involved in some kind of dialogue and there’s a hint of the long prehistoric past in which the spiritual universe deteriorated from a higher state into what it is today. For example Oberon and Titania are rather like the subtle beings that some psychically sensitive people report encountering. When Oberon says to the family: “We can see into your world, but apparently you have turned your back on ours.” it rings a bell. This is a frequent complaint that is related by witnesses to the presence of the fair folk. These beings from the other worlds see us as having lost our spiritual senses and wish we would regain them. Indeed Oberon goes on to declare his hope that “the Prophesy will reopen the door between your world and ours.” As I’ve often said, it’s not merely a case of us losing our spiritual senses; they’ve been stolen. The amber lens and the way Aisling looks through it to see the truth behind the illusion is the most manifest cipher of this concept; although it is not without precedent, indeed it was probably borrowed from Philip Pullman, https://en.wikipedia.org/wiki/The_Amber_Spyglass. All of this is underlined by the continuous, but very ambiguous, semi-presence of Lily, Aisling’s wife and the girls’ mother. Some of the things said about the trolls, and to them, really get me thinking. When she is caught by the trolls, Cassie tells Skotos: “You can change. I’ve read all about trolls (in the Unicorn‘s library presumably). There was even a time when you weren’t evil at all.” Skotos recoils at this statement more than anything else in the film! Galdalf says something similar about the Orcs in Lord of the Rings, that they were once Elves, but then they fell from enlightenment, like Satan fell from Heaven. Malachi also says to Aisling at one point: “I’ve spent little enough time in your world, Professor… Trolls are everywhere; different shapes and sizes, calling themselves different names, but trolls nonetheless! They like to tear things down, make everything the same, the way they like it…” The implication is that trolls are an archetype for man fallen from grace. The last sentence is of course how conformist humans behave in the Illuminati-occupied world. Skotos also mentions his visit to our world on several occasions and explains lavishly to the other trolls how it is ripe for plunder and that he’d like to conquer it too. And Oberon warns: “This evil will spill into your world too.” Could this signify the notion Matthew Delooze and others have discussed, of a predatory malevolent interdimensional intelligence that is feeding parasitically off our world, or trying to infect it and change it into a copy of itself, like a virus? I myself have researched the idea of the rise of the Illuminati and how it was either the cause or effect of some kind of malfunction or decay in the spiritual universe. Nothing embodies this concept for me more blatantly than the Roman conquest of Britaintwo thousand years ago and I’ve explored the details many times, for instance: http://hpanwo-tv.blogspot.co.uk/2013/11/return-to-edge-of-world.html. For me, Faerie Isle is a representation of the pre-Illuminati world and that the trolls represent our Illuminati-controlled world. This is very like how many people have interpreted James Cameron’s movie Avatar, with the humans and the blue creatures being metaphorical for the conflict between the natural spiritual state of being versus the modern materialistic circumstances we find ourselves in. The historian Michael Wood puts it very well: “The end of sacred times, the triumph of profane times.” In the scene where the trolls pillage and desecrate Faerie Isle, I can’t help thinking that this is what it must have been like when Angleseyfell to the Roman legions in AD 60 and the forces of that Illuminati-controlled empire destroyed the sacred groves of the Druids and slaughtered anybody left alive there.
When Prof. Aisling comes across the Minotaur’s labyrinth and realizes how similar it is to the mythology he studies, he says that the Faerie Kingdom is: “a reflection of our reality, or maybe we’re a reflection of it.” This is very Platonic, the idea that some worlds are reflections of others. This is the surprisingly high level of intelligence that Voyage of the Unicorn is based on; not bad for a free gift in a Sunday tabloid, eh? It is really far more than just a simplistic cheap TV movie to pass time for the kids. It turns out that my daughter was well aware of this when she bought home the DVD; she later confessed that she wanted to show it to me because she had a bet with a friend that I would love it. It was really a dead cert; she knows me too well! But despite the insightful thought that went into making it, Voyage is still essentially an adventure fantasy story and you don’t have to interpret it philosophically to enjoy it. It is quite light-hearted in some scenes and it has a lovely warmth to it. The ending is somewhat abrupt after a well-paced and structured climactic segment; I wonder if it was originally scripted to be slightly longer. However that is literally my only criticism of it, and as I said about Gone to Seed, a work of art doesn’t require technical perfection to be great. The score of the film is enchanting too, it contains American big screen movie-style piano lines as well as very aetheric lyricless vocals and uplifting pagan flute tunes. The message of the story is that magic exists in the most unlikely places. The gusts of wind filled with sparks of light in the opening scenes illustrate this well. You, dear HPANWO-reader, might think I’m crazy, you might think I’ve forgotten that I’m a grown man and regressed to childhood. I understand why you think that; but you’re wrong, I haven’t. Whether or not you judge me this way will depend on the kind of person you are. Have you the ability to immerse yourself in something like Voyage of the Unicorn, to forget all the forces holding you back from just letting yourself fly free in a world where there really are faeries, unicorns and singing mermaids? It will mean taking a brave step if you’ve never done anything like that before. You might fear the ridicule of others, or of your own conscience. Please don’t. CS Lewis once said that the stupidest children were the most childish, and that the stupidest adults were the most grown up.

Permanent link to this article: https://news.truthjuice.co.uk/index.php/voyage-of-the-unicorn/

Don Peyote Movie Bus Tour

don peyote movie posterDon Peyote is coming to theaters near you! Here are the scheduled dates. If you are in California, join the Don Peyote Bus Tour! Meet Dan Fogler and members of the cast as we screen Dan’s new hit movie that is sure to open minds to the fact that life is not what most people think! [Watch the trailer]
[Watch Don Peyote on iTunes May 9th]

Get your tickets now…

Fri 5/16 LA opening at Arena Cinema, 1625 N. Las Palmas, Hollywood

Sun 5/18 LA TO OAKLAND
6:00pm screening at The New Parkway Theater, 474 24th St., Oakland
Buy tickets

Mon 5/19 Possible screening in San Francisco or Palo Alto (Not confirmed)

Tue 5/20 BIG SUR
8:30pm screening at Henry Miller Memorial Library, 48603 Hwy 1, Big Sur
Buy tickets
Don Peyote-Tour Dates
Wed 5/21 SAN LUIS OBISPO
7:00pm screening at Downtown Cinema, 888 Marsh St., San Luis Obispo
Buy tickets

Thu 5/22 SANTA BARBARA
7:00pm screening at Camino Real Cinemas, 7040 Marketplace Dr., Goleta
Buy tickets

Fri 5/23 Screening at Lightning in a Bottle Festival in Temecula with Daniel Pinchbeck

Sat 5/24 RETURN TO LA
Cheech & Chong at the Greek
Buy tickets


Weird Stuff Part 2

We will have special
Don Peyote editions of Weird Stuff Part 2.
Weird Stuff is an occult conspiracy encyclopedia in an easy-to-read fully illustrated magazine format.
Get your copy now and have the cast of Don Peyote sign it!
Get Weird Stuff Part 2




Adventures of Warren Allman, LSD, Daniel Pinchbeck, Hanukkah, and Cleopatra’s Needle. Mars Needs Moms, Type O Negative, Walt Disney Co, Moon Lake and Dan’s New Daughter! Photography from Don Peyote

[Listen to more podcasts]

[Subscribe on iTunes]

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Update number 8 from Dean

Update number 8 from Dean

Discussion involves: Dean himself, Chris Sosnowski and Paul Stein (We Are Change Victoria)

Dean gives an update from Brandon after Chris’s visit to him today. Darren couldn’t join use due to call connectivity issues and Chris had something to attend to urgently after the visit but managed to patch this call from Dean through.

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Update Number 7 – Darren Clifford and co

2014 05 02 Dean Clifford – Update Number 7

Discussion involves: Darren Clifford (Dean’s brother), Chris Sosnowski and Paul Stein (We Are Change Victoria and Dean’s friend also)

Intro Song: Gordon Lightfoot – Someone to believe in
Exit Song: Graham Hart – I Don’t consent (feat Dean Clifford)

Please visit We Are Change – Victoria at: http://wearechangevictoria.com to check out what they have been up to.

It is always the duty of the crown to prove claims beyond any reasonable doubt. They basically decided that federally they were not going to be able to proceed against him on those allegations, so they are going to focus on provincial in which they still do not have jurisdiction over him at all but from here on they will have to go after him in provincial which will be a hard task when the federal government won’t back the province on going after him.

This means that the involvement of the federal crown is gone.
To them, they cannot regulate Dean under a federal court jurisdiction.

Dean said in court this week:
“The Information’s are the crowns beliefs and it is an unreasonable burden to disprove someone else’s beliefs” BANG!!! It’s all a presumption of law.

Those who’s like to send their regards, they can do so at:

Brandon Correctional Centre
375 Veterans Way,
Brandon,
Manitoba,
Canada R7C 0B1
Phone 204-725-3532
Fax: 204-727-3961

If you want to voice your concerns, you can write to:

The Honorable Peter Gordon MacKay
Minister of Justice and Attorney General of Canada
284 Wellington Street
Ottawa, Ontario K1A 0H8

Also another to contact is:

William F.Pentney
Deputy Minister of Justice
Room 4121
East Memorial Building
284 Wellington Street
Ottawa,Ontario K1 A 0H8

Please also forward any copies of affidavit’s to: support@deanclifford.info

To support Dean and the cause please either or,

Donate: http://deanclifford.info/donate/

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Bodycams – I, Camera – The 5 Laws of FFUCams

it might be true that the camera never lies, but who operates the camera?

Permanent link to this article: https://news.truthjuice.co.uk/index.php/bodycams-i-camera-the-5-laws-of-ffucams/