{"id":5984,"date":"2012-04-25T16:38:01","date_gmt":"2012-04-25T16:38:01","guid":{"rendered":"http:\/\/news.truthjuice.co.uk\/index.php\/my-god-its-full-of-stars-2\/"},"modified":"2015-08-04T10:38:14","modified_gmt":"2015-08-04T10:38:14","slug":"my-god-its-full-of-stars-2","status":"publish","type":"post","link":"https:\/\/news.truthjuice.co.uk\/index.php\/my-god-its-full-of-stars-2\/","title":{"rendered":"\u201cMy God, it\u2019s full of stars\u201d"},"content":{"rendered":"

Jubilee Plantation 2011 & the last known words of Dr. Dave Bowman<\/span><\/em><\/p>\n

\"Jubilee<\/a><\/p>\n

Jubilee Plantation, nr Cherhill, Wilts. 15th August 2011<\/p>\n<\/div>\n

The Jubilee Plantation crop circle<\/span> (August 10th 2011<\/em>) was the last formation of the 2011 season, and was perhaps the most ambitious and complex of the year. It carries a small connection with the first formation of the 2012 season (Hill Barn April 15th 2012<\/em>), in that it too was described as being messy inside and was written off as a piece of mindless vandalism. Whatever the Jubilee Plantation formation was, it could hardly be classified as mindless.<\/span><\/p>\n

2010 had seen the first explicitly 4-dimensional formation, a Tesseract (4-D cube) at Fosbury Camp After years of showing us 2-D and 3-D images the crop circle phenomenon had evolved to another level. I must admit I had not expected that the crop circles would make another dimensional leap so soon, but then what do I know!<\/p>\n

 <\/p>\n

\"Fosbury<\/a><\/p>\n

Fosbury Camp 2010 4D Cube (first 4D Image)<\/p>\n<\/div>\n

\"Allington<\/a><\/p>\n

Allington Down 1999 3D Cube (first 3D Image)<\/p>\n<\/div>\n

The beautiful star-like pattern at the centre of the design is undoubtedly a Penteract (a 5-D cube), from fig.3 you can see how I have overlaid a penteract over a photo of the formation to show just how accurate it was. There are several ways to depict a penteract, the first thing we have to understand is that this image is what is called an orthographic projection, which is used to show the shadows cast by a higher dimensional objects in our 3-D reality. We cannot see a penteract as it would appear in 5th dimensional space, because we are limited by our 3-D existence, but we can calculate what it would look like. A penteract has 32 vertices, 80 edges, 80 square faces, 40 cubic cells, and 10 tesseract hypercells. Blimey!<\/p>\n

\"Fig.<\/a><\/p>\n

Fig. 3 The Jubilee Plantation formation with overlaid Penteract (5D Cube)<\/p>\n<\/div>\n

The unfolding of dimensions in crop circle design has evolved beside the systematic unfolding of number in those same designs. The movement from one dimension to the next could be symbolically seen as some kind of \u2018deepening\u2019, or may signal the preparation in the \u2018collective unconscious\u2019 for an assimilation of a new depth. Often the unconscious can be seen to be working with material long before it is fully manifested into the conscious mind and into the world, I find this deeply interesting.<\/p>\n

The evolution of human art has also followed a similar pattern, the development of dimension in paintings has often been remarked upon. The first truly 3-dimensional painting appeared in around 1455-60, a painting titled \u2018The Flagellation Of Christ\u2019 by Italian artist Piero della Francesca. It is generally accepted as the first painting to successfully add depth to height and width. It is interesting to note that the painter was also a mathematician and a geometer, and wrote much on proportion and perspective. <\/p>\n

\"The<\/a><\/p>\n

The Flagellation of Christ by Piero Della Francesca (1455-60). The first 3D painting?<\/p>\n<\/div>\n

He was a great influence upon Fra Luca Pacioli, and his ideas were illustrated in one of Pacioli\u2019s books by none other than the great Leonardo Da Vinci. What this painting showed was that although we have always lived in a 3-dimensional world, and that humans have always seen the world in three dimensions, we had at that point in time only just began to assimilate that knowledge fully into our conscious minds \u2013 allowing us to project it onto board and canvas for the first time.<\/p>\n

As we reach finally reach 2012, I wonder if that is going to happen again, only this time with an assimilation of other realities\/dimensions into full consciousness? Perhaps the idea of the fourth dimension is symbolic of that. Clearly, we do not live in a 4-dimensional world and clearly we are not equipped to perceive fully dimensions beyond our own, but I think (as Holmes would say) that \u2018something is afoot\u2019 and that it has to do with consciousness, dimensions, perspectives, space and time. <\/p>\n

\nJean Gebser
\nStages of Consciousness Mutation:<\/p>\n

1. Archaic
\n2. Magical
\n3. Mythical
\n4. Mental
\n5. Integral<\/em>\n<\/div>\n

It was philosopher and linguist Jean Gebser who first tracked human art and it\u2019s evolution through dimensions to describe \u2018mutations\u2019 (as he called them) in human perception and consciousness. He described four stages, through which we have thus far moved, and a further fifth stage that has yet to fully manifest. The \u2018Mental Stage\u2019, the 4th stage we currently inhabit, is firmly rooted in 3-dimensions, but about his fifth \u2018Integral Stage\u2019, Gebser said that another huge change in perception would occur that would trigger as bigger step as the one represented by Piero della Francesca\u2019s painting.<\/div>\n
I think it would be fair to say that our current \u2018Mental Stage\u2019 is deeply rooted in classical Newtonian and Cartesian physics, but I wonder how a general understanding of the relatively new \u2018Quantum World\u2019 would change our general perception of reality and our place within it. I think there is something interesting here to be looked at. Quantum Physics breaks almost all the tenets of traditional science (the greatest invention of three-dimensional thinking and Gebser\u2019s Mental Stage) it violates our understanding of reality, locality, causality, continuity and determinism. We have yet to fully understand its violation of duality, where one thing can now be said to be two things at the same time. Large segments of the general population do not understand (or perhaps have never even heard of) the new tenets of quantum science; entanglement, non-locality and complementiarity.<\/div>\n

These new tenets will not only shift the way we understand reality, but will also in turn affect our consciousness. How will consciousness look after these new ideas, perceptions and perspectives have been assimilated, how might we project them into the world?<\/p>\n

\"Painting<\/a><\/p>\n

Painting of the Jubilee Plantation formation 2011 by Karen Alexander Watercolour and Inks on Cartridge Paper <\/p>\n<\/div>\n

As I drew the Jubilee Plantation formation I was struck by two things; the first was its rotational (spiral like) properties, (this is self evident by looking at the five beautifully spinning crescents around the perimeter of the design), but the second was how the centre also had a rotational element. The centre pattern is drawn using a similar methodology to the drawing of a decagram star (ten-pointed star). There are in fact three (I think) different decagram stars, this particular one joins every third point around a circle divided into ten. If you follow this methodology (as I did), you end up drawing around the circle. The centre of the formation then contains two further smaller (nested) decagrams, each nested in the centre of the previous one, three iterations in all. If you follow the same method of construction for the next two nested stars you end up winding a spiral right into the heart of the penteract and the centre of the formation itself. It was a very satisfying synchronicity to find that the inner and outer parts of the formation complimented one another in this way. The crescents are not part of the penteract but they are rooted within its geometry. To me this is crop circle design at its very best, bringing together seemingly disparate components and entangling them in a complementary way. I see non-locality, entanglement & complementiarity at work here \u2013 symbolically of course. I think this is portentous and highly significant.<\/p>\n

To look into the Jubilee Plantation formation is to fall headlong into another world, another reality, or at least to glimpse it. To me it is a embryonic projection of a new stage in human consciousness manifested in our 3-dimensional reality \u2013 it is therefore, in fact, anything but mindless, it is, in my humble opinion, filled with mind.<\/p>\n

This circle reminded me of the final words of Dr David Bowman, the ill-fated fictional commander of the USS Discovery in Clarke\u2019s and Kubrick\u2019s mighty vision \u20182001: A Space Odyssey\u2019. As he approached the ultimate unknown, the mighty Monolith, he exclaimed \u201cMy God, it\u2019s full of stars\u201d, I felt like saying the same thing I as drew the centre of the Jubilee Plantation formation. Consciousness is the next great unknown, the metaphorical modern Monolith, are we about to transcend our current limitations of perception and, like Dave Bowman, become something entirely new?<\/p>\n

KAREN ALEXANDER – APRIL 25th 2012<\/strong><\/p>\n

The post \u201cMy God, it\u2019s full of stars\u201d<\/a> appeared first on Temporary Temples<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

Jubilee Plantation 2011 & the last known words of Dr. Dave Bowman Jubilee Plantation, nr Cherhill, Wilts. 15th August 2011 The Jubilee Plantation crop circle (August 10th 2011) was the last formation of the 2011 season, and was perhaps the most ambitious and complex of the year. It carries a small connection with the first … <\/p>\n

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